- #What is eventide h910 harmonizer & 2016 stereo room for mac#
- #What is eventide h910 harmonizer & 2016 stereo room manual#
- #What is eventide h910 harmonizer & 2016 stereo room pro#
Then we move on to delay setting, which is controlled by four combinable buttons (7.5, 15, 30 and 60 milliseconds) with up to 112.5 mS. It’s apparently simple and straight-forward, but just apparently - it’s quite an intricate beast! Having said that, it all starts on the left side with the input level, which isn’t just a plain gain setting as it also affects the unit’s headroom and what happens further down the road - Eventide recommends to crank up this knob until the “limit” LED blinks to maximize the effect, then drop a little to avoid clipping - or just drive it into distortion territory if you’re after such thing.
#What is eventide h910 harmonizer & 2016 stereo room manual#
I’ll follow the hardware layout for a brief explanation but first a disclaimer: the controls are obviously intertwined and don’t follow quite the linear logic that I’m about to adopt for this description, so keep that in mind and don’t take this overview as any sort of rule - please read the manual for a thorough comprehension of the signal path. The H910 is a time, pitch and feedback manipulator with apparently primitive controls for today’s standards but immensely powerful when you put it in perspective - so powerful that it remains relevant and still sparks interest in 2016. The scope: The first harmonizer, the one who started it all for digital effects and the piece that launched Eventide to its glorious path back in 1976 when it was introduced.
#What is eventide h910 harmonizer & 2016 stereo room for mac#
Includes a variety of presets including some by Dave Pensado, Richard Devine, Joe Chiccarelli, Sasha, George Massenburg, The Butcher Bros., Buda & Grandz, Erin Tonkon and more.Formats: AAX, AU, VST for Mac and Windows.ĭRM: iLok (2 activations, USB key not required) This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are. Hi-Density Plate: Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. Stereo Room: Recreates the ambience of a large concert hall, with very clear, natural reverberation. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes. Room: Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. It’s a powerful simulation that lends itself to parametric control. The algorithms naturally emulate every aspect of the sound of a real physical environment – from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. The Modern algorithms are brighter, more diffuse, and use a higher bit-depth.
The Vintage algorithms are true to the original box, all the way down to the bit-depth. The plug-in includes authentic emulations of Room, Stereo Room, and Hi-Density Plate algorithms, each available in two versions: Vintage and Modern. The SP2016 reverbs have attracted a loyal user base by using a particular blend of art and science – the end result is an effect that sounds natural and distinctive. Now, 36 years later, this signature sound is available for your DAW. The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski.
#What is eventide h910 harmonizer & 2016 stereo room pro#
It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual hardware chips that would be plugged in under the hood. The SP2016 was the first programmable effects box available on the market.
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